Jacke and Mike discuss Joseph Conrad’s short novel Heart of Darkness, Francis Ford Coppola’s film Apocalypse Now, and Eleanor Coppola’s documentary Hearts of Darkness: A Filmmaker’s Apocalypse. Then Jacke offers some thoughts on the recent events in Charlottesville, compares them with the themes in Conrad, and argues that America’s “new normal” might be best understood as an existential journey for the twenty-first century.
Everyone always talks about the greatest openings in the history of literature – I’m looking at you, Call me Ishmael – but what about endings? Aren’t those just as important? What are the different ways to end short stories and novels? Which endings work well and why? In this episode, Jacke and Mike take a look at great literary endings, with some assistance from David Lodge, Charles Baxter, Leo Tolstoy, James Joyce, Flannery O’Connor, Samuel Beckett, Iris Murdoch, Uncle Wiggily, The Third Man, Donald Barthelme, Alice Munro, Henry James, E.B. White, Fyodor Dostoevsky, Ernest Hemingway, F. Scott Fitzgerald, Mary Shelley, David Foster Wallace, O. Henry, Ian McEwan, Thomas Mann, and Joseph Conrad.
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