Tag: keats

145 Mad, Bad, and Dangerous to Know – The Story of Lord Byron

The Later Romantic poet George Gordon Byron, once described by Lady Caroline Lamb as “mad, bad, and dangerous to know,” lived 36 years and became world famous, his astonishing career as a poet matched only by his astonishing record as a breaker of norms, an insatiable lover, a bizarre hedonist, a restless exile, a head-scratching eccentric, a passionate friend, a determined athlete, an ardent revolutionary, and in general, one of the greatest embracers of life the world has ever seen.

Works discussed include Childe Harold’s Pilgrimage, Fugitive Pieces / Hours of Idleness, English Bards and Scotch Reviewers, and Don Juan.

For another taste of Romantic poetry, try our episode on Poetry and Ruins, which includes a look at Shelley’s Ozymandias.

Jacke recounts his own attempts to write a Keatsian poem in the Bad Poetry episode.

Byron makes a cameo appearance – he was on the scene when both Frankenstein and vampires were invented – in our Mary Shelley episode.

Want some of the older Romantics? Try our episode on Coleridge and the Person from Porlock.

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138 Why Poetry (with Matthew Zapruder)

In his new book Why Poetry, the poet Matthew Zapruder has issued “an impassioned call for a return to reading poetry and an incisive argument for its accessibility to all readers.” The poet Robert Hass says, “Zapruder on poetry is pure pleasure. His prose is so direct that you have the impression, sentence by sentence, that you are being told simple things about a simple subject and by the end of each essay you come to understand that you’ve been on a very rich, very subtle tour of what’s aesthetically and psychologically amazing about the art of poetry.”

In this episode, Matthew Zapruder joins Jacke for a discussion on why poetry is often misunderstood, and how readers can clear away the misconceptions and return to an appreciation for the charms and power of poetry. Along the way, they discuss poems by W.H. Auden, Brenda Hillman, and John Keats, and the views of critics like Harold Bloom, Giambattista Vico, Ludwig Wittgenstein, and Paul Valery.

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