John Keats (1795-1821) was born in humble circumstances, the son of a man who took care of horses at a London inn, and he died in near obscurity. We know him today as onen of a handful of the greatest poets who ever lived.
Part Two of our look at John Keats discusses his impact on Jorge Luis Borges; his poems On First Reading Chapman’s Homer; his passion for Shakespeare (including his invention of the concept of Negative Capability). Along the way we look at Shelley and Byron and their attitudes toward Keats; the savage reviews Keats received; his trip to Rome; his two great loves; his death; and what might be his greatest poem, “Ode to a Nightingale.”
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“Allemande Sting” and “Ersatz Bossa Sting” by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
In his new book Why Poetry, the poet Matthew Zapruder has issued “an impassioned call for a return to reading poetry and an incisive argument for its accessibility to all readers.” The poet Robert Hass says, “Zapruder on poetry is pure pleasure. His prose is so direct that you have the impression, sentence by sentence, that you are being told simple things about a simple subject and by the end of each essay you come to understand that you’ve been on a very rich, very subtle tour of what’s aesthetically and psychologically amazing about the art of poetry.”
In this episode, Matthew Zapruder joins Jacke for a discussion on why poetry is often misunderstood, and how readers can clear away the misconceptions and return to an appreciation for the charms and power of poetry. Along the way, they discuss poems by W.H. Auden, Brenda Hillman, and John Keats, and the views of critics like Harold Bloom, Giambattista Vico, Ludwig Wittgenstein, and Paul Valery.
Help support the show at patreon.com/literatureor historyofliterature.com/shop. Learn more about the show at historyofliterature.comor facebook.com/historyofliterature. Contact the host at email@example.com or via our new Twitter handle, @thejackewilson.