We often think of James Joyce as a man in his thirties and forties, a monkish, fanatical, eyepatch-wearing author, trapped in his hovel and his own mind, agonizing over his masterpieces, sentence by sentence, word by laborious word. But young James Joyce, the one who studied literature in college and roamed the night-time streets of Dublin with his friends, laughing and carousing and observing the characters around him, was a different person altogether – or was he? Host Jacke Wilson takes a look at the James Joyce who studied his fellow Dubliners – and then wrote a masterful collection of short stories that he named after them.
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Vincent O’Neill hails from Sandycove, Dublin, where he grew up in the shadow of the tower made famous by the opening chapter of James Joyce’s Ulysses. After a childhood spent tracing the steps of Joyce’s characters, Vincent developed a love for the theatre, eventually becoming the co-founder and artistic director of the Irish Classical Theatre Company in Buffalo, New York. He joins Jacke Wilson for a discussion of James Joyce and the theatre, including a staging of Joyce’s play Exiles, the magic of Joyce’s language, and the long journey to bring an adaptation of Finnegan’s Wake to the stage.
Learn more about the Irish Classical Theatre Company at irishclassical.com.
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You can find more literary discussion at jackewilson.com and more episodes of the series at historyofliterature.com.
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“Handel – Entrance to the Queen of Sheba” by Advent Chamber Orchestra (From the Free Music Archive / CC by SA).