When she died tragically at the age of 53, Constance Fenimore Woolson was ranked with the greatest female writers of all time, including Jane Austen, George Eliot, and the Brontes. What happened to her reputation after that? Did her friend Henry James sink her reputation as an author and a person? In this episode, Jacke takes a look at the hugely successful (and now often overlooked) nineteenth-century American author Constance Fenimore Woolson.
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“England may with justice claim to be the native land of transfusion,” wrote one European physician in 1877, acknowledging Great Britain’s role in developing and promoting human-to-human transfusion as treatment for life-threatening blood loss. But what did this scientific practice mean for literature? How did it excite the imagination of authors and readers? And how does our understanding of transfusion help us to understand our own reading of historical and contemporary scientific advancements?
In today’s episode, Jacke talks to Professor Ann Kibbie of Bowdoin College about her new book, Transfusion: Blood and Sympathy in the Nineteenth-Century Literary Imagination, which examines the scientific and literary treatment of the nineteenth-century practice of transfusion, including the way transfusion seeped into the works of authors like George Eliot, Adam Smith, and Bram Stoker, whose Dracula stands as a culmination of the practice of transfusion and the elemental feelings it arouses.
“Midnight Tale” Kevin MacLeod (incompetech.com)
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